{"id":2532,"date":"2024-01-17T04:52:50","date_gmt":"2024-01-17T04:52:50","guid":{"rendered":"https:\/\/www.pilgrimagetour.in\/blog\/?p=2532"},"modified":"2026-06-11T11:40:15","modified_gmt":"2026-06-11T11:40:15","slug":"history-of-ajanta-caves","status":"publish","type":"post","link":"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/","title":{"rendered":"History of Ajanta Caves"},"content":{"rendered":"<p>The history of Ajanta Caves stretches back more than 2,200 years. Carved into a horseshoe-shaped basalt cliff above the Waghora River in Maharashtra, these 30 Buddhist rock-cut monuments were built in two separate phases, abandoned for over 1,300 years, and rediscovered by chance in 1819. Today they are a UNESCO World Heritage Site and home to the largest surviving body of ancient Indian wall paintings anywhere in the world.<\/p>\n<p>What makes Ajanta genuinely remarkable is not just the art \u2014 it is the story. A civilisation at its creative peak, a political collapse that stopped work mid-chisel, a jungle that swallowed everything, and a British army officer who stumbled into it on a hunting trip.<\/p>\n<p>This guide covers the complete history of the Ajanta cave complex: who built it, when, why construction stopped, how it was rediscovered, and what it means in 2026.<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_86 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Key_Facts_About_Ajanta_Caves\" >Key Facts About Ajanta Caves<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Phase_1_The_Satavahana_Caves_2nd%E2%80%931st_Century_BCE\" >Phase 1: The Satavahana Caves (2nd\u20131st Century BCE)<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Who_Funded_Phase_1\" >Who Funded Phase 1?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#The_400-Year_Pause_1st_Century_CE_to_5th_Century_CE\" >The 400-Year Pause (1st Century CE to 5th Century CE)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Phase_2_The_Vakataka_Caves_and_the_Golden_Age_460%E2%80%93480_CE\" >Phase 2: The Vakataka Caves and the Golden Age (460\u2013480 CE)<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Who_Funded_Phase_2\" >Who Funded Phase 2?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Why_Did_Construction_Stop\" >Why Did Construction Stop?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Ajanta_Caves_Architecture_Chaityas_and_Viharas\" >Ajanta Caves Architecture: Chaityas and Viharas<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#The_Ancient_Indian_Paintings_Technique_and_Significance\" >The Ancient Indian Paintings: Technique and Significance<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#The_Rediscovery_28_April_1819\" >The Rediscovery: 28 April 1819<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Documentation_and_Conservation_A_History_of_Near-Misses\" >Documentation and Conservation: A History of Near-Misses<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Major_Robert_Gill_1844%E2%80%931863\" >Major Robert Gill (1844\u20131863)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#John_Griffiths_and_the_Bombay_School_of_Art_1872%E2%80%931885\" >John Griffiths and the Bombay School of Art (1872\u20131885)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Lady_Herringham_and_the_Bengal_Renaissance_1909%E2%80%931911\" >Lady Herringham and the Bengal Renaissance (1909\u20131911)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Ghulam_Yazdani_and_the_Nizams_Department_1920s%E2%80%931930s\" >Ghulam Yazdani and the Nizam&#8217;s Department (1920s\u20131930s)<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#UNESCO_Status_and_Post-Independence_Conservation\" >UNESCO Status and Post-Independence Conservation<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Ajanta_vs_Ellora_Caves_Key_Differences\" >Ajanta vs Ellora Caves: Key Differences<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Frequently_Asked_Questions\" >Frequently Asked Questions<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#1_When_were_Ajanta_Caves_built\" >1. When were Ajanta Caves built?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#2_Who_built_the_Ajanta_Caves\" >2. Who built the Ajanta Caves?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#3_Who_discovered_the_Ajanta_Caves\" >3. Who discovered the Ajanta Caves?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-22\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#4_Why_are_Ajanta_Caves_famous\" >4. Why are Ajanta Caves famous?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-23\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#5_How_many_caves_are_in_Ajanta\" >5. How many caves are in Ajanta?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-24\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#6_When_did_Ajanta_Caves_get_UNESCO_status\" >6. When did Ajanta Caves get UNESCO status?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-25\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#7_Why_were_Ajanta_Caves_abandoned\" >7. Why were Ajanta Caves abandoned?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-26\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#8_What_painting_technique_was_used_in_Ajanta_Caves\" >8. What painting technique was used in Ajanta Caves?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-27\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#9_Which_is_the_oldest_cave_in_Ajanta\" >9. Which is the oldest cave in Ajanta?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-28\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#10_What_is_the_difference_between_Ajanta_and_Ellora_Caves\" >10. What is the difference between Ajanta and Ellora Caves?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-29\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#11_Which_dynasty_built_Ajanta_Caves\" >11. Which dynasty built Ajanta Caves?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-30\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#12_How_long_does_it_take_to_visit_Ajanta_Caves\" >12. How long does it take to visit Ajanta Caves?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-31\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#Conclusion\" >Conclusion<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Key_Facts_About_Ajanta_Caves\"><\/span>Key Facts About Ajanta Caves<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<ul>\n<li>Location: Ajanta village, Aurangabad district, Maharashtra, India<\/li>\n<li>Total caves: 30 rock-cut excavations (including 1 unfinished), per ASI and UNESCO<\/li>\n<li>Cave types: 5 chaitya-grihas (prayer halls) \u2014 Caves 9, 10, 19, 26, 29; rest are viharas (monasteries)<\/li>\n<li>Built over: Two phases separated by ~400 years<\/li>\n<li>Phase 1: 2nd\u20131st century BCE (Satavahana period, Hinayana Buddhism)<\/li>\n<li>Phase 2: 460\u2013480 CE (Vakataka period, Mahayana Buddhism)<\/li>\n<li>Rediscovered: 28 April 1819, by Captain John Smith<\/li>\n<li>UNESCO status: 1983, listed under criteria (i), (ii), (iii), (vi)<\/li>\n<li>Famous for: Largest surviving body of ancient Indian painting<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2534\" src=\"https:\/\/www.pilgrimagetour.in\/blog\/wp-content\/uploads\/2024\/01\/History-of-Ajanta-Caves.jpg\" alt=\"History of Ajanta Caves\" width=\"900\" height=\"550\" srcset=\"https:\/\/www.pilgrimagetour.in\/blog\/wp-content\/uploads\/2024\/01\/History-of-Ajanta-Caves.jpg 900w, https:\/\/www.pilgrimagetour.in\/blog\/wp-content\/uploads\/2024\/01\/History-of-Ajanta-Caves-300x183.jpg 300w, https:\/\/www.pilgrimagetour.in\/blog\/wp-content\/uploads\/2024\/01\/History-of-Ajanta-Caves-768x469.jpg 768w, https:\/\/www.pilgrimagetour.in\/blog\/wp-content\/uploads\/2024\/01\/History-of-Ajanta-Caves-696x425.jpg 696w, https:\/\/www.pilgrimagetour.in\/blog\/wp-content\/uploads\/2024\/01\/History-of-Ajanta-Caves-687x420.jpg 687w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Phase_1_The_Satavahana_Caves_2nd%E2%80%931st_Century_BCE\"><\/span>Phase 1: The Satavahana Caves (2nd\u20131st Century BCE)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The earliest Buddhist caves at Ajanta date to the 2nd century BCE. Six caves were carved during this phase \u2014 Caves 9 and 10 (chaitya-grihas, or prayer halls) and Caves 8, 12, 13, and 15A (viharas, or monastic dwellings). Cave 10 is the oldest, containing the earliest surviving paintings at the site: fragmentary but still visible fragments of the Chaddanta Jataka, dating to the 2nd century BCE.<\/p>\n<p>These caves followed the Hinayana (Theravada) tradition of Buddhism, in which the Buddha was not depicted in human form. Worship focused on symbols \u2014 the stupa, the Bodhi tree, footprints. The architectural style mimics earlier timber construction: carved stone beams and rafters that serve no structural purpose, preserving in rock a wooden building tradition that has otherwise completely vanished.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Who_Funded_Phase_1\"><\/span>Who Funded Phase 1?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Direct royal funding was limited. Ajanta sits along the ancient Dakshinapatha trade route, and the early caves were largely financed by wealthy merchants who earned religious merit through donations to Buddhist monasteries. The Satavahana dynasty provided political stability rather than patronage. The simplicity of Phase 1 caves \u2014 unadorned walls, functional layouts \u2014 reflects this merchant funding model.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_400-Year_Pause_1st_Century_CE_to_5th_Century_CE\"><\/span>The 400-Year Pause (1st Century CE to 5th Century CE)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>After Phase 1, work at Ajanta stopped for roughly four centuries. The Satavahana dynasty weakened, trade routes shifted, and Buddhist communities moved to other sites. The existing caves continued to be used for meditation and pilgrimage \u2014 Chinese traveller Faxian, who visited India around 400 CE, documented Buddhist monasteries in the Deccan, and the records suggest Ajanta remained a known pilgrimage site during this period.<\/p>\n<p>This gap is important. It explains why the caves look like two entirely different artistic civilisations. Because they are, separated by 400 years.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Phase_2_The_Vakataka_Caves_and_the_Golden_Age_460%E2%80%93480_CE\"><\/span>Phase 2: The Vakataka Caves and the Golden Age (460\u2013480 CE)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The second phase transformed Ajanta from a modest monastic site into one of the greatest ancient art complexes in the world. According to scholar Walter Spink, whose research on Ajanta chronology is the most widely cited in the field, the bulk of Phase 2 construction happened in just 20 years \u2014 between approximately 460 and 480 CE.<\/p>\n<p>The driving force was Emperor Harishena of the Vatsagulma branch of the Vakataka dynasty. Under his patronage, new caves were excavated, older ones expanded, and the interiors were covered in the paintings that would make Ajanta famous across the world.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Who_Funded_Phase_2\"><\/span>Who Funded Phase 2?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Harishena did not fund everything himself. Inscriptions at cave entrances record individual donors:<\/p>\n<ul>\n<li>Cave 1: Most likely sponsored directly by Harishena<\/li>\n<li>Caves 16 and 17: Funded by Varahadeva, Harishena&#8217;s prime minister<\/li>\n<li>Cave 20: Commissioned by Upendragupta, a Vakataka feudatory<\/li>\n<li>Cave 4: Donated by a merchant named Mathura<\/li>\n<\/ul>\n<p>This network of royal and aristocratic donors explains why Phase 2 caves feel so varied in ambition and detail \u2014 different patrons hired different artisans.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Why_Did_Construction_Stop\"><\/span>Why Did Construction Stop?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Work stopped abruptly. Several caves (5, 24, 29) remain unfinished today \u2014 tools down, mid-chisel, as if the workforce simply walked away. They did. Harishena died around 477\u2013480 CE. Without royal patronage, the coalition of donors and craftsmen dissolved. The Asmaka kings briefly held the territory but could not sustain the momentum. By around 500 CE, the monks had left. The jungle moved in.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Ajanta_Caves_Architecture_Chaityas_and_Viharas\"><\/span>Ajanta Caves Architecture: Chaityas and Viharas<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<table width=\"631\">\n<tbody>\n<tr>\n<td width=\"120\"><strong>Type<\/strong><\/td>\n<td width=\"120\"><strong>Purpose<\/strong><\/td>\n<td width=\"113\"><strong>Caves at Ajanta<\/strong><\/td>\n<td width=\"277\"><strong>Key Features<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"120\">Chaitya-griha<\/td>\n<td width=\"120\">Communal worship, prayer<\/td>\n<td width=\"113\">9, 10, 19, 26, 29<\/td>\n<td width=\"277\">Horseshoe arch, central stupa, barrel-vaulted ceiling, stone-carved wooden beams<\/td>\n<\/tr>\n<tr>\n<td width=\"120\">Vihara<\/td>\n<td width=\"120\">Monastic residence, study<\/td>\n<td width=\"113\">All others (24 caves)<\/td>\n<td width=\"277\">Central hall, individual monk cells, rear shrine room with Buddha image<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Cave 1 is the most elaborate vihara: a verandah, a main hall with 20 painted pillars, 14 monks&#8217; cells, and a central shrine with a seated Buddha. Cave 26 is the finest chaitya, containing the massive reclining Buddha (Parinirvana) sculpture. Cave 4 is the largest vihara at the site by physical size.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_Ancient_Indian_Paintings_Technique_and_Significance\"><\/span>The Ancient Indian Paintings: Technique and Significance<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The murals at Ajanta are not frescoes. They are tempera paintings on a prepared lime-plaster surface. Pigments came from local minerals: red and orange from hematite, yellow from ochre, green from malachite, dark tones from carbon. The polished finish gave the surface a subtle luminosity that has contributed to the paintings&#8217; durability.<\/p>\n<p>What most people don&#8217;t realise when they arrive is how much has already been lost. Large sections of the painting scheme have degraded or collapsed entirely. What survives \u2014 the Padmapani in Cave 1, the Dying Princess in Cave 16, the Flying Apsara in Cave 17 \u2014 is a fraction of what once existed. That fraction is still the largest surviving body of pre-medieval Indian painting anywhere.<\/p>\n<table width=\"631\">\n<tbody>\n<tr>\n<td width=\"60\"><strong>Cave<\/strong><\/td>\n<td width=\"160\"><strong>Famous For<\/strong><\/td>\n<td width=\"411\"><strong>Why It Matters<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"60\">Cave 1<\/td>\n<td width=\"160\">Bodhisattva Padmapani &amp; Vajrapani<\/td>\n<td width=\"411\">Finest murals at Ajanta; Padmapani considered a masterwork of ancient Indian art<\/td>\n<\/tr>\n<tr>\n<td width=\"60\">Cave 2<\/td>\n<td width=\"160\">Ceiling paintings, Jataka panels<\/td>\n<td width=\"411\">Elephant panel adopted as logo of India&#8217;s Tourism Ministry; most intricate ceiling<\/td>\n<\/tr>\n<tr>\n<td width=\"60\">Cave 16<\/td>\n<td width=\"160\">Dying Princess (Sundari)<\/td>\n<td width=\"411\">Most emotionally powerful image at Ajanta; depicts grief of Prince Nanda&#8217;s wife<\/td>\n<\/tr>\n<tr>\n<td width=\"60\">Cave 17<\/td>\n<td width=\"160\">Flying Apsara, 30 Jataka stories<\/td>\n<td width=\"411\">Largest concentration of narrative painting; most complete storytelling wall<\/td>\n<\/tr>\n<tr>\n<td width=\"60\">Cave 10<\/td>\n<td width=\"160\">Chaddanta Jataka (fragmentary)<\/td>\n<td width=\"411\">Oldest surviving painting at Ajanta; 2nd century BCE<\/td>\n<\/tr>\n<tr>\n<td width=\"60\">Cave 26<\/td>\n<td width=\"160\">Reclining Buddha<\/td>\n<td width=\"411\">Most iconic sculpture at the site; 23-foot Parinirvana figure<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span class=\"ez-toc-section\" id=\"The_Rediscovery_28_April_1819\"><\/span>The Rediscovery: 28 April 1819<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The caves were not truly lost \u2014 local villagers knew of the cliff structures. What changed in 1819 was that the outside world learned of them.<\/p>\n<p>Captain John Smith of the 28th Cavalry, Madras Presidency, was on a tiger-hunting expedition in the Sahyadri hills when a local shepherd boy led him toward the gorge. From the opposite cliff, Smith spotted the arched facade of Cave 10. He reached it with villagers who cleared a path through the undergrowth.<\/p>\n<p>Inside, he found rock-cut halls, sculpted pillars, and mural paintings in remarkable condition. His response: he scratched his name and rank on the 13th pillar of Cave 10, across a Bodhisattva painting. The inscription \u2014 \u201cJohn Smith, 28th Cavalry, 28th April, 1819\u201d \u2014 is still visible today, roughly 7 feet off the ground (the debris inside Cave 10 at the time was 3\u20134 feet deep).<\/p>\n<p>Note: Smith didn&#8217;t &#8216;discover&#8217; the caves in any meaningful sense. They were mentioned in Abu al-Fazl&#8217;s 16th-century Ain-i-Akbari and were known to local communities. What Smith&#8217;s visit did was bring the site to the attention of British colonial scholars, triggering systematic documentation and, eventually, conservation.<\/p>\n<p>Within five years, William Erskine had published an account. By 1848, the Royal Asiatic Society had formed the Bombay Cave Temple Commission, with James Wilson as president. This work directly contributed to the formation of the Archaeological Survey of India (ASI) in 1861.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Documentation_and_Conservation_A_History_of_Near-Misses\"><\/span>Documentation and Conservation: A History of Near-Misses<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Major_Robert_Gill_1844%E2%80%931863\"><\/span>Major Robert Gill (1844\u20131863)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The East India Company commissioned Major Robert Gill to document the Ajanta paintings. He spent nearly 20 years at the site, producing approximately 30 large-scale oil-on-canvas copies. Most were sent to London for exhibition at the Crystal Palace. In 1866, a fire at the Crystal Palace destroyed 25 of his 30 paintings. Only 4 survive today, held at the Victoria and Albert Museum in London.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"John_Griffiths_and_the_Bombay_School_of_Art_1872%E2%80%931885\"><\/span>John Griffiths and the Bombay School of Art (1872\u20131885)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>To replace what was lost, the Government of India commissioned John Griffiths to lead a new copying project. Working with his students from the Bombay School of Art over 13 years, Griffiths produced approximately 300 paintings. In 1885, a fire at the South Kensington Museum (which later became the V&amp;A) destroyed over 100 of these copies. Around 200 survive in the V&amp;A collection today.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Lady_Herringham_and_the_Bengal_Renaissance_1909%E2%80%931911\"><\/span>Lady Herringham and the Bengal Renaissance (1909\u20131911)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Lady Christiana Herringham organised a team of Indian artists to copy the murals, including Nandalal Bose, Asit Kumar Haldar, and Mukul Dey \u2014 key figures in what became the Bengal Renaissance. Their work helped establish Ajanta&#8217;s paintings as a touchstone of modern Indian artistic identity.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Ghulam_Yazdani_and_the_Nizams_Department_1920s%E2%80%931930s\"><\/span>Ghulam Yazdani and the Nizam&#8217;s Department (1920s\u20131930s)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The most systematic pre-independence documentation came from Ghulam Yazdani, working under the Nizam of Hyderabad&#8217;s Archaeological Department. His four-volume work on the Ajanta paintings remains a primary reference. The Nizam also funded road construction and a rest house at the site. However, early restoration workers applied varnish to the paintings to &#8216;brighten&#8217; them \u2014 a well-intentioned decision that accelerated deterioration and is now considered one of the most damaging conservation mistakes in the site&#8217;s history.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"UNESCO_Status_and_Post-Independence_Conservation\"><\/span>UNESCO Status and Post-Independence Conservation<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>After India&#8217;s independence in 1947, the Archaeological Survey of India took over stewardship of Ajanta. In 1983, the caves were inscribed on the UNESCO World Heritage List as part of the first batch of Indian sites to receive the designation \u2014 alongside <a href=\"https:\/\/www.pilgrimagetour.in\/blog\/ellora-caves\/\">Ellora Caves<\/a>, Agra Fort, and the Taj Mahal.<\/p>\n<p>UNESCO recognised Ajanta under four criteria: as a masterpiece of human creative genius (i), a significant exchange of values (ii), exceptional testimony to a cultural tradition (iii), and directly associated with living Buddhist heritage of universal significance (vi). (Source: UNESCO WHC, whc.unesco.org)<\/p>\n<p>The modern mandatory eco-shuttle system and the MTDC Visitor Centre at Fardapur (about 4 km from the cave entrance) were designed specifically to reduce direct visitor impact on the fragile site. In 2012, MTDC announced plans to build full replicas of Caves 1, 2, 16, and 17 at the visitor centre \u2014 giving tourists an immersive experience without adding to the humidity and CO\u2082 load inside the originals.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Ajanta_vs_Ellora_Caves_Key_Differences\"><\/span>Ajanta vs Ellora Caves: Key Differences<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<table width=\"631\">\n<tbody>\n<tr>\n<td width=\"133\"><strong>Factor<\/strong><\/td>\n<td width=\"193\"><strong>Ajanta Caves<\/strong><\/td>\n<td width=\"304\"><strong>Ellora Caves<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"133\">Religion<\/td>\n<td width=\"193\">Exclusively Buddhist<\/td>\n<td width=\"304\">Buddhist, Hindu, and Jain<\/td>\n<\/tr>\n<tr>\n<td width=\"133\">Period<\/td>\n<td width=\"193\">2nd century BCE \u2013 6th century CE<\/td>\n<td width=\"304\">6th\u201311th century CE<\/td>\n<\/tr>\n<tr>\n<td width=\"133\">Famous for<\/td>\n<td width=\"193\">Wall paintings and murals<\/td>\n<td width=\"304\">Rock-cut sculptures, Kailasa Temple<\/td>\n<\/tr>\n<tr>\n<td width=\"133\">Number of caves<\/td>\n<td width=\"193\">30 (ASI count)<\/td>\n<td width=\"304\">Over 100 (34 open to public)<\/td>\n<\/tr>\n<tr>\n<td width=\"133\">Closed on<\/td>\n<td width=\"193\">Monday<\/td>\n<td width=\"304\">Tuesday<\/td>\n<\/tr>\n<tr>\n<td width=\"133\">Distance from each other<\/td>\n<td width=\"193\">~100 km apart<\/td>\n<td width=\"304\">~100 km from Ajanta<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span class=\"ez-toc-section\" id=\"Frequently_Asked_Questions\"><\/span>Frequently Asked Questions<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"1_When_were_Ajanta_Caves_built\"><\/span>1. When were Ajanta Caves built?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Ajanta Caves were built in two phases. Phase 1 dates to the 2nd\u20131st century BCE (Satavahana period). Phase 2 dates to approximately 460\u2013480 CE (Vakataka period). The two phases are separated by roughly 400 years.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"2_Who_built_the_Ajanta_Caves\"><\/span>2. Who built the Ajanta Caves?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Phase 1 was carved by Buddhist monks and artisans financed by merchants along the Dakshinapatha trade route under Satavahana rule. Phase 2 was built under the patronage of Emperor Harishena of the Vakataka dynasty, his minister Varahadeva, and several feudatory donors.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"3_Who_discovered_the_Ajanta_Caves\"><\/span>3. Who discovered the Ajanta Caves?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Captain John Smith of the 28th Cavalry, Madras Presidency, is credited with the modern rediscovery on 28 April 1819. He was led to Cave 10 by a local shepherd boy during a tiger-hunting expedition. The caves were already known locally and were mentioned in the 16th-century Ain-i-Akbari by Abu al-Fazl.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"4_Why_are_Ajanta_Caves_famous\"><\/span>4. Why are Ajanta Caves famous?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Ajanta Caves are famous for containing the largest surviving body of ancient Indian wall paintings. The murals in Caves 1, 2, 16, and 17 are considered masterworks of ancient Buddhist art. The Bodhisattva Padmapani in Cave 1 is often cited as one of the finest paintings in the ancient world.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"5_How_many_caves_are_in_Ajanta\"><\/span>5. How many caves are in Ajanta?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>There are 30 rock-cut excavations at Ajanta, including one unfinished cave. Five are chaitya-grihas (prayer halls): Caves 9, 10, 19, 26, and 29. The remaining 25 are viharas (monasteries). (Source: ASI, asi.nic.in)<\/p>\n<h3><span class=\"ez-toc-section\" id=\"6_When_did_Ajanta_Caves_get_UNESCO_status\"><\/span>6. When did Ajanta Caves get UNESCO status?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Ajanta Caves were inscribed as a UNESCO World Heritage Site in 1983, in the first batch of Indian sites to receive the designation. UNESCO recognised them under criteria (i), (ii), (iii), and (vi).<\/p>\n<h3><span class=\"ez-toc-section\" id=\"7_Why_were_Ajanta_Caves_abandoned\"><\/span>7. Why were Ajanta Caves abandoned?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Construction stopped around 480\u2013500 CE following the death of Emperor Harishena. Without royal patronage, the network of donors and craftsmen collapsed. The monks eventually left, the jungle overtook the site, and Ajanta remained largely unknown to the outside world for approximately 1,300 years.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"8_What_painting_technique_was_used_in_Ajanta_Caves\"><\/span>8. What painting technique was used in Ajanta Caves?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The Ajanta murals are tempera paintings, not true frescoes. They were painted on a prepared lime-plaster surface using mineral pigments: hematite (red\/orange), ochre (yellow), malachite (green), and carbon (dark tones). The surface was polished after painting, giving it subtle luminosity.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"9_Which_is_the_oldest_cave_in_Ajanta\"><\/span>9. Which is the oldest cave in Ajanta?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Cave 10 is the oldest, dating to approximately the 2nd century BCE. It contains the earliest surviving paintings at Ajanta \u2014 fragmentary remains of the Chaddanta Jataka, considered the oldest wall painting extant in India.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"10_What_is_the_difference_between_Ajanta_and_Ellora_Caves\"><\/span>10. What is the difference between Ajanta and Ellora Caves?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Ajanta is exclusively Buddhist, dates from 2nd century BCE to 6th century CE, and is famous for its murals. Ellora dates from the 6th to 11th century CE, contains Buddhist, Hindu, and Jain monuments, and is celebrated for its rock-cut sculptures, particularly the monolithic Kailasa Temple. Ajanta is closed on Mondays; Ellora on Tuesdays.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"11_Which_dynasty_built_Ajanta_Caves\"><\/span>11. Which dynasty built Ajanta Caves?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Phase 1 was built under the Satavahana dynasty (2nd\u20131st century BCE). Phase 2 was built under the Vakataka dynasty, primarily Emperor Harishena of the Vatsagulma branch (~460\u2013480 CE). Both were Buddhist patronage projects, though the Vakatakas themselves followed Hinduism.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"12_How_long_does_it_take_to_visit_Ajanta_Caves\"><\/span>12. How long does it take to visit Ajanta Caves?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>A focused visit covering the most important caves (1, 2, 16, 17, 26) takes approximately 2.5 to 3 hours. A thorough guided visit of all accessible caves typically takes 4 to 5 hours. Plan for a full half-day. The caves are open 9:00 AM to 5:30 PM, Tuesday to Sunday.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Conclusion\"><\/span>Conclusion<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The history of Ajanta Caves is a story of extraordinary human achievement, political fragility, and improbable survival. For 700 years, merchants, ministers, and kings poured resources into this remote gorge. Work stopped mid-chisel when patronage collapsed. The jungle covered everything. And 1,300 years later, a shepherd boy led a British officer to a cliff face \u2014 and the paintings were still there.<\/p>\n<p>If you are planning a visit, the caves are open Tuesday to Sunday, 9 AM to 5:30 PM. Hire a licensed guide at the entrance. Allow at least 3\u20134 hours. Stand in Cave 1 in front of the Padmapani and give it the time it deserves. A 1,500-year-old painting rewards patience.<\/p>\n<p>For help planning your <a href=\"https:\/\/www.pilgrimagetour.in\/ajanta-ellora-tour-package\">Ajanta\u2013Ellora tour<\/a>, contact Pilgrimage Tour India at +91 8826094899. We handle the logistics so you can focus on the experience.<\/p>\n<p><strong>Also Reads on:\u00a0<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.pilgrimagetour.in\/blog\/travel-tips-for-visiting-ellora-caves\/\">Travel Tips for Visiting Ellora Caves<\/a><\/li>\n<li><a href=\"https:\/\/www.pilgrimagetour.in\/blog\/how-to-reach-ellora-caves\/\">How to Reach Ellora Caves<\/a><\/li>\n<li><a href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ellora-caves\/\">History of Ellora Caves<\/a><\/li>\n<li><a href=\"https:\/\/www.pilgrimagetour.in\/blog\/best-time-to-visit-ellora-caves\/\">Best Time to Visit Ellora Caves<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The history of Ajanta Caves stretches back more than 2,200 years. Carved into a horseshoe-shaped basalt cliff above the Waghora River in Maharashtra, these 30 Buddhist rock-cut monuments were built in two separate phases, abandoned for over 1,300 years, and&hellip;<\/p>\n<div class=\"link-more\"><a href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/#more-2532\" class=\"more-link\">Continue reading &#10142; <span class=\"screen-reader-text\">History of Ajanta Caves<\/span><\/a><\/div>","protected":false},"author":4,"featured_media":2534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"no","_lmt_disable":"","footnotes":""},"categories":[46],"tags":[],"class_list":["post-2532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ajanta-caves","oviyan-lite-has-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>History of Ajanta Caves - Ancient Modern, Architecture, Significance<\/title>\n<meta name=\"description\" content=\"Ajanta Caves: A two-millennia journey from ancient Buddhist sanctuaries to modern UNESCO heritage, epitomizing India&#039;s cultural and artistic legacy.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pilgrimagetour.in\/blog\/history-of-ajanta-caves\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:site_name\" content=\"Pilgrimage Blog\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-17T04:52:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-11T11:40:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pilgrimagetour.in\/blog\/wp-content\/uploads\/2024\/01\/History-of-Ajanta-Caves.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"550\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ashish Thapliyal\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ashish Thapliyal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/history-of-ajanta-caves\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/history-of-ajanta-caves\\\/\"},\"author\":{\"name\":\"Ashish Thapliyal\",\"@id\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/#\\\/schema\\\/person\\\/189b3d65b9d028275d392a18a9e9b3ac\"},\"headline\":\"History of Ajanta Caves\",\"datePublished\":\"2024-01-17T04:52:50+00:00\",\"dateModified\":\"2026-06-11T11:40:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/history-of-ajanta-caves\\\/\"},\"wordCount\":2458,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/history-of-ajanta-caves\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/History-of-Ajanta-Caves.jpg\",\"articleSection\":[\"Ajanta Caves\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/history-of-ajanta-caves\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/history-of-ajanta-caves\\\/\",\"url\":\"https:\\\/\\\/www.pilgrimagetour.in\\\/blog\\\/history-of-ajanta-caves\\\/\",\"name\":\"History of Ajanta Caves - 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A proud native of Uttarakhand \u2014 the Devbhoomi \u2014 he grew up surrounded by the Garhwal Himalayas and has undertaken the Char Dham Yatra personally multiple times, giving him rare first-hand knowledge of Kedarnath, Badrinath, Gangotri, and Yamunotri that goes far beyond guidebooks. Ashish holds the title of Acharya from Banaras Hindu University (BHU), Varanasi \u2014 one of India's most prestigious centres of Vedic scholarship \u2014 with deep grounding in Hindu scripture, ritual traditions, and pilgrimage philosophy. This academic foundation, combined with nearly two decades of practical tour management, makes him uniquely qualified to guide pilgrims both spiritually and logistically. 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